art, arts, exhibition, münster, photography, skulptur projekte, surplus of myself, tom burr, westfälischer kunstverein
one of the highlights of the latest edition of münster’s skulptur projekte, tom burr’s surplus of myself (on display at westfälischer kunstverein through october 1) is a reflection on interplay and conflicts of interest of the public and the private realms, a clever meta-piece accentuating the city-wide open air arts festival’s premise. playing off cosima von bonin’s stunning comment on henry moore’s the archer (the complete artistic position is kind of complex indeed), the new haven-based artist’s exhibition questions definitions of space and purpose, art and accident. in its most masterful aspect, it is also a lot of fun.
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